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Labyrinth (1970) |
solo piano - 10'
Despite the several prizes and distinctions which his early compositions gained him, Edwin Roxburgh withdrew his work written before 1961. That date marks a development in his music from a conscientious form of serialism to a less formal, more experimental style which allowed him to pursue his interest in instrumental sonorities and textures. Labyrinth explores these sonorities on the piano.
After a declamatory statement, a 4-note semi-tone motif is introduced, followed by displacement of sensuous tones in the upper register of the piano to be played "as if blown by a breeze". Dissonant, incisive passages alternate with quiet and intense melismas played rapidly, and the work ends quietly after reintroducing the four-note motif once again. This is a true labyrinth indeed as musical ideas are presented and then end abruptly as new ideas take the work in a new direction.